Peter Gabriel's eponymous debut album, 1977.
Peter Gabriel's eponymous debut album, 1977.
What are regrets? Just lessons we haven't learned yet - Beth Orton
Very, very difficult but I think I'll go for This Year's Model. No - Abbey Road. No, no - something by Steely Dan. Wait, wait - actually Bookends, just for 'Overs'. Or - hang on...
Oh dammit. Rain Dogs, by Tom Waits.
Me too.
Every time I listen to the intricacy of the melodies, vocal interplay, and orchestration on this album, I'm staggered. Whereas Phil Spector was good at dressing up simple songs with bombastic arrangements, Brian Wilson took very complex songs --- both musically and emotionally speaking --- and gave them added dimensions with strange melodic interludes and interesting combinations of instruments: harp, banjo, clarinets, harpsichord, strings, you name it. Wilson coaxed superb performances out of the session pros: the bass playing alone is amazing.
The emotional core of Pet Sounds is what makes it so unique. Wilson was making music of heart-rending sincerity, and Tony Asher's lyrics evoke a world full of doubt and heartache. Don't blame Wilson for the Beatles' failure to surpass this album's genius with their awkward, mannered Sgt. Pepper: they stole all his musical gimmicks (and a few of his trippy in-jokes), but they forgot his vulnerability.
Regards,
Istvan
"It is time we realized that to presume knowledge where one has only pious hope is a species of evil."
— Sam Harris
The Strokes - Is This It
I'll never get sick of that puppy.
"Oh the clever
Things I should say to you
They got stuck somewhere
Stuck between me and you"
There's too many to list but here are some of my recent favorites:
Kind of Blue - Miles Davis
*****es Brew - Miles Davis
Giant Steps - John Coltrane
Mingus, Umm - Charles Mingus
Highway 61 Revisited - Bob Dylan
OK Computer - Radiohead
The Earth is Not a Cold Dead Place - Explosions in the Sky
It Takes a Nation of Millions to Hold Us Back - Public Enemy
Oh and I almost forgot, the greatest of them all:
Sgt. Pepper's Lonley Hearts Club Band - The Beatles
and one of my all time personal favorites
The Dark Side of the Moon - Pink Floyd
and
Wish You Where Here - Pink Floyd
Last edited by DanielBenoit; 03-01-2010 at 02:17 AM.
The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite — to tell —
-Emily Dickinson
http://www.youtube.com/watch?v=TVW8GCnr9-I
http://www.youtube.com/watch?v=ckGIvr6WVw4
Tough choice...;
for a kick off
What's Goin On-Marvin Gaye
The Bends-Radiohead
Massive Attack - Mezzanine
a few other favorites
Colour Kane - A Taste Of
Maps - We Can Create
Mogwai - Mr. Beast
Dolly - Tous des stars
Songs From the Big Chair-Tear for Fears
Bring it On-Gomez
Ten-Pearl Jam
How could I choose one Mars Volta album.
"Do you mind if I reel in this fish?" - Dale Harris
"For sale: baby shoes, never worn." - Ernest Hemingway
Blog
Adding to my list
Kid A - Radiohead
Kala - M.I.A.
The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite — to tell —
-Emily Dickinson
http://www.youtube.com/watch?v=TVW8GCnr9-I
http://www.youtube.com/watch?v=ckGIvr6WVw4
Picking one is an impossibility. These are ones that will always be worthy of being called my favorite record of all time, as well as my justification.
Wilco - Yankee Hotel Foxtrot - Somewhat similar to Abbey Road below this, this record is a documentation of a band at odds with eachother. After losing a drummer, Wilco decides to look for a drummer while recording. They find Glenn Kotche, who changes their sound completely. Founding member (for nearly 10 years) Jay Bennet, multi-instrumentalist, is asked to leave the band, after recording all of his guitar parts for the record. With that, Wilco sent the record to their current label Reprise, finally mastered. Reprise rejected the record, stating various things that might be changed, and ultimately dropped Wilco from Reprise. Without a label, Wilco leaked Yankee Hotel Foxtrot on the internet, where it developed a huge craze among indie and college music radio. Reprise was so confident that Yankee Hotel Foxtrot would not be a success that they gave they gave the original masters to Wilco. The publicity of leaking their record was enough for it to finally be distributed by their current label, Nonesuch, to whom Reprise is a parent company. This album is one of the greatest things I've ever listened to, mixing noise, folk, ambient, oldies, indie, and postrock into one genre-bending piece of music.
Broken Social Scene - You Forgot It In People - I first listened to this record in the winter of 2004. I would ride public transportation to and from school every day, and I would put this on. All that I could usually think about was just all of the many many sounds happening at once. This was my first listening of anything resembling a collective, and I did not know how to handle it. All of the guitars sounded like sirens or fans or anything but guitars. The pianos and synths sounded like computers glitching. The horns sounded like horns, but at times I would realize they were not horns at all, but guitars or distorted vocals. And then there was the bus I was on, the chatter, the loud noise of the bus engine, the loud slamming of the door shutting. Most times the sounds coming from the bus mirrored the noises coming into my headphones. Through this experience, I learned truly appreciate noise and ambience. Every listen to this record reveals more hidden gems, even to this day. It's certainly a hard listen.
Radiohead - In Rainbows - Though to truly talk about Radiohead, I would have to mention OK Computer and Kid A, I think that this is their greatest record to date. Like Hail to The Thief just before this, Radiohead has continued to evolve and improve. There are certain levels of ambience on this record that simply do not exist on Kid A or Amnesiac, and there also surges of pure rock that simply do not reach this level on OK Computer. This record has all of the greatest elements from past records, but more improved. Radiohead proves on this record that they just continuously get better.
The Beatles - Abbey Road - All I can say is, I'm usually filled with glee from the first to last song. I enjoy Paul McCartney's half of the record (the second half) more than the first. This is the one album, in my opinion, where Paul McCartney proves his worth to the band. In other records, I feel that Lennon easily outshines McCartney throughout. This is the last album the Beatles ever recorded together (though released before Let It Be), and in some ways, it is the documentary of their breaking up. Most of the record was done in overdubs, as Lennon and McCartney could not be in the same room together because of various feuds. In some ways, the pain and anguish that exists between the two makes this record the most worthwhile.
The Weakerthans - Left And Leaving - A sorrowful album, this one will stick with you.
Counting Crows - August And Everything After - a pop band at their finest, every song on this record is amazing. The overly-produced melodies can be forgotten when one finally opens the lyrical booklet and discovers what this monster is hiding.
The Smashing Pumpkins - Mellon Collie - a sprawling double-disc of love and loneliness, this album is an anti-depressant in itself.
Nirvana - In Utero - every angsty feeling that i've ever had, this album sums up my teenage years. If I'm in the perfect mood to yell, this is the one.
Led Zeppelin - II - speaks for itself.
Spoon - Gimme Fiction - This album taught me everything I love about dirty guitar. This is my favorite record as far as guitar-centered works go.
Sufjan Stevens - Come On Feel The Illinoise! - This album is a pure enigma. I did not know that albums like this existed until I finally heard it. Words do not do this record justice.
Jeff Buckley - Grace - Oh, what could've been. Grace was the first and last record that Jeff Buckley released before his untimely death, in his mere 20's. The fact is this is some of the most complex music I have ever listened to. Just try to learn any of his guitar parts for any song on this record (except maybe the cover, Hallelujah) and you will understand.
Nine Inch Nails - The Slip - whether or not you're tired of Trent Reznor, or even if you don't like him at all, he can kick out a top-notch produced record in his sleep. He continues to hone his craft and make very intricate ambient pop jams on his latest record.
Last edited by Mathor; 03-22-2010 at 11:49 AM.
I'm losing all those stupid games
That I swore I'd never play
My Top Ten (only 1 per artist or else all Dylan lol)
In no paticular order, might change tomorrow!
Bob Dylan - Blood On The Tracks
Beatles - Abbey Road
Who - Who's Next
Rolling Stones - Exile on Main St.
U2 - All That You Can't Leave Behind
Marvin Gaye - What's Going On
Neil Young - After The Gold Rush
Van Morrison - Astral Weeks
David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars
Stevie Wonder - Songs In The Key of Life